Reflections Archive | That Elusive Image

A consolidated and easily accessible collection of all the Reflections blog posts, gathered in one place to provide a seamless reading experience.

Proof in the pencil

Erasures, gestures, and contours expose the artist behind the image. Learn why drawing is the most direct record of perception.

A vibrant, painterly illustration of a red glass vase centered against an abstract, multicolored background, with thick brushstrokes and strong contrast that emphasize the vase’s silhouette through surrounding space.

Seeing the invisible

If you have trouble drawing the vase, try drawing the space around the vase.

An abstract painting on an easel bursts into glowing light and colorful particles against a dark background, blending paint texture with digital-style illumination.

The screen as canvas

Explore how screens and canvases share the same visual logic, shaping how we see, frame, and experience images in contemporary art and culture.

A richly textured impasto oil painting depicting the evolution of art through time. On the left, ancient cave drawings and Egyptian hieroglyphs transform into Greek and Renaissance portraits, which then dissolve into swirling, colorful brushstrokes resembling galaxies. The composition transitions from warm golds and ochres to deep blues, symbolizing the journey from early human creativity to modern digital abstraction.

The history of art

How every artistic movement reflects humanity’s search for universal connection.

A painting of a horse's head and upper body rendered in an expressive, impressionistic style. The horse faces forward with alert ears and gentle eyes, featuring a distinctive white blaze running down its face. The artwork uses bold, dynamic brushstrokes in a vivid palette of warm oranges, golden yellows, cool teals, and deep blues. The background is abstract and atmospheric, with swirling paint strokes, bokeh-like circles of light, and energetic splashes of color that create a sense of movement and emotional depth around the subject.

Seeing the idea, not the horse

A painting is not a copy of the world but a record of thought. Explore how artists turn mental concepts into images—and what this means for how we see and collect art.

A woman with dark hair tied in a ponytail stands in a paint-splattered studio, facing a brightly lit canvas as vivid swirls of red, orange, yellow, and blue surround her. She holds a brush while standing between cluttered worktables filled with paint, brushes, and tools. The scene is rendered in a bold, textured, painterly style that emphasizes movement and color.

Build your artistic brand

Stop copying outdated art movements and start crafting your own voice.

A loosely rendered, cartoon-like painting dominated by pink and red tones. At the left, a reclining, simplified figure with a round head smokes a cigarette, the gray smoke rising above a red cylindrical ashtray. In the foreground, a plate piled with blocky, bread- or cake-like shapes in yellow, white, and green sits atop a pale table. Behind the figure, an arrangement of stacked, pillow- or brick-like forms outlined in red fills the background, creating a cluttered, chaotic environment. Thick, expressive brushstrokes and sketchy outlines give the scene a raw, hand-drawn quality.

Artist: Philip Guston

Guston’s shocking move from abstraction to bold figuration redefined modern art.